Monster - Truck - Pump

Images, texts, and the occasional truck

(Source: dropanchors)

floresenelatico:

Michael Heizer, Displaced/Replaced Mass, 1969

floresenelatico:

Michael Heizer, Displaced/Replaced Mass, 1969

“If your success is not on your own terms, if it looks good to the world but does not feel good in your heart, it is not success at all.”

—   Anna Quindlen (via onlinecounsellingcollege)

(via trueafricanoriginal)

gmaclaughlin:

Greg MacLaughlin
“—fatal whistle—”

gmaclaughlin:

Greg MacLaughlin
“—fatal whistle—”

exhibition-ism:

Plastic bag landscapes by  Vilde J. Rolfsen

(Source: exhibition-ism.com)

fuckyeahchinesefashion:

蔡国强:白日焰火 (Cai Guoqiang- Black Coal, Thin Ice)

gmaclaughlin:

Greg MacLaughlin
title: “—the daily reflect—” ( animated )

I love how a six second delay on each slide is almost unbearably long. We really are so used to looking at things for only the tiniest fraction of a second.  When confronted with a duration that is somewhere in-between — our brains don’t like it so much.  At least mine doesn’t, but I like that it is uncomfortable.  A composition being uncomfortable doesn’t mean that it isn’t doing something else that equally interesting.

gmaclaughlin:

Greg MacLaughlin
title: “—the daily reflect—” ( animated )

I love how a six second delay on each slide is almost unbearably long. We really are so used to looking at things for only the tiniest fraction of a second. When confronted with a duration that is somewhere in-between — our brains don’t like it so much. At least mine doesn’t, but I like that it is uncomfortable. A composition being uncomfortable doesn’t mean that it isn’t doing something else that equally interesting.

zenec:

By Miguel Marquez.
s33:

beesandbombs:

twisting circle

I was going to say ‘visual metaphor for the multisense diffraction of primoridial pansensitivity into spacetime realism’, but yeah twisting circle is good too.

s33:

beesandbombs:

twisting circle

I was going to say ‘visual metaphor for the multisense diffraction of primoridial pansensitivity into spacetime realism’, but yeah twisting circle is good too.

mpdrolet:

From Colourblind
Lloyd Stubber

mpdrolet:

From Colourblind

Lloyd Stubber

(Source: radiohwell, via veiled-reveries)

blastedheath:

Stephen Bush (Australian, b. 1958), Venetian Red No.11, 1995. Oil on linen, 101 x 137 cm.

blastedheath:

Stephen Bush (Australian, b. 1958), Venetian Red No.11, 1995. Oil on linen, 101 x 137 cm.

(via veiled-reveries)